About

Light first.
Then rhythm.

I’m Miron, a cinematographer and director of photography based in London. I light and shoot short films, music videos and commercial work for directors, artists and brands.

My work sits between image and sound. As an audio-visual artist I also write music, and it shapes how I see: where the camera breathes, when it pushes in, what the light does on the downbeat. On set I specialise in lighting design and camera operation, and I bring the same cinematic approach to a content day as to a narrative short.

Miron on set in a cap and white T-shirt, lit by a single source
Miron, on set
Approach

How I work

  1. 01

    Light is the story

    I start with lighting design. One motivated source, shaped and controlled, says more than a flooded set. Haze, practicals and diffusion do the rest.

  2. 02

    Rhythm

    I make music too, so I frame and move the camera the way a track builds: tension, release, the beat that lands on the cut.

  3. 03

    Small footprint, big image

    A compact cinema kit and battery-powered light. Fast on location, quiet on set, without giving up the big-screen look.

Behind the camera · shot on film

On set

  • Crew working through red haze on a film set
  • Silhouette of the camera operator in thick haze
  • Crew setting up a shot in red light
  • Camera monitor glowing in a red-lit room
  • Operator leaning into the frame through smoke
  • The crew gathered around the camera between takes
Pulling focus with a wireless follow-focus handset in a dark room
Camera operator with headphones on a period set, black and white
Checking frame on the monitor through red and green haze
Now booking

Have a project in mind?

Message me on Instagram, by email or phone with the idea, dates and budget. You’ll get a reply with availability and next steps.